Submitted by Austin Eafford.
One of Esurance's spots in which your average Esurance customers are lucky enough to get themselves animated thanks to Erin. Directed by Chris Hauge at WildBrain, animation produced by Ghostbot, featuring the voice of Mo Mellady.

Submitted by Austin Eafford.
One of Esurance's spots in which your average Esurance customers are lucky enough to get themselves animated thanks to Erin. Directed by Chris Hauge at WildBrain, animation produced by Ghostbot, featuring the voice of Mo Mellady.

Recorded by Irish TV Bits.
Willie and his Wotsit go on a whopping journey back in time to score bigger on his history project than this teacher could have bargained for, and maybe even do a little tinkering with history itself. Directed by Chris Hauge and Deane Taylor at Passion Pictures.

Recorded by Irish TV Bits.
An edit of J*hn K.'s Cadbury Land ad focused on Fudge. Not the most notable find, as it uses recycled animation and there are plenty of freshly animated ads in this campaign still missing, but it's very rare that even an ad like this shows up in someone's recordings and now you get to see it (and comment on it)! Directed by J*hn Kr*cf*l*s* at Spümcø, featuring the voice of Noddy Holder.
https://lostmediawiki.com/Cadbury_Land_(partially_found_series_of_animated_commercials_from_British_confectionery_company;_1998-2001)

Directed by Moi at Popett.

At the turn of the millennium, Ridley Scott and Orange imagine a future in which the advancements of tomorrow and their predecessors go hand-in-hand. Since this advert's airing, such advancements have edged out their forebearers significantly to a worrisome degree (worrisome except for women not needing men and vice versa), and tech companies are proving responsible. The next four years are objectively going to be a seemingly inescapable nightmare, but heck, let us end this one on an optimistic note anyway. Directed by Ridley Scott at RSA Films.

The sequel to Barbour's 2021 Christmas advert sees Paddington Bear take on a more daunting challenge than getting the perfect waxed jacket for Mr. Brown: earning Mr. Curry's respect. Directed by againstallods at Passion Animation Studios.

Taking an old-fashioned approach to the Brown family in a time when Ben Whishaw is the definitive Paddington Bear - paying respect to the illustrations of Peggy Fortnum and selecting a traditional voice cast - Barbour's first in a series of Christmas ads starring the jovial, marmalade eating bear sees him buying the perfect waxed jacket for Mr. Brown. Directed by againstallods at Passion Animation Studios.

Soviet panic hits Jolly Ol' Saint Nick in this banned Christmas commercial that shocked the nation, crushing the spirits of children who saw it and plaguing KGO's phone lines with complaints from angry parents, some of which would apparently storm the station's office threatening violence. A Richard Williams Animation production.

https://www.youtube.com/watch?v=OzhAHp2T2_g
Okay, what the actual hell has become movie studios' problem for this to keep happening to me?! And how come this only happens to my ad break compilations? What even is this copyright algorithm, to randomly check long videos for thirty seconds of footage from a random film when you least expect it and reject your dispute, only to not interfere when that same footage is reposted individually? And then there's COPPA, repeatedly disabling the comments on whatever videos containing age-old footage of children who are now fully grown adults they please while leaving others alone, even when it's a trailer for what is technically a film for bloody adults! Chrissake, YouTube! Get a grip! *God!* Anyway, a TV spot for Alan Parker's 15-rated Angela's Ashes, captured by one of my customers on Channel 4 on 11th January 2000.